Showing posts with label Fine Art. Show all posts
Showing posts with label Fine Art. Show all posts

Tuesday, November 22, 2016

Figure Paintings

My favorite subjects to paint are portraits and the human figure. Here's a recent painting from a lovely live model in costume. (I need to get more of these photographed and posted.) See others in person at my Dec. 3rd Open Studio.

Oil on Canvas, 20x16, Quin Sweetman
I paint from the live model at least once per week, mostly using the limited palette inspired by Anders Zorn. 

Monday, December 7, 2015

Little Paintings in time for the Holidays

It has been quite a pleasure to paint for this year's Big 500 show. These aren't the best photos of all of my little 8x8" pieces but you get the gist, and if you like one: get there early to snag it for only $40 in this benefit for Oregon Food Bank:

Mum Love, Quin Sweetman
Autumn by the Lake, Quin Sweetman

Becoming Real, Quin Sweetman

Portrait of C. Vu, Quin Sweetman
Dancing with Mum, Quin Sweetman

Redhead, Quin Sweetman

Men Can Be Pretty Too, Quin Sweetman
Back of Quin Sweetman Panels

Mums the Wood, Oil on Wood, Quin Sweetman

Panels in Quin Sweetman's studio

She Wore Her Vietnamese Dress, Quin Sweetman

Snuggling with Mum, Quin Sweetman
        All work created from life -- not photos -- in the Impressionist/Alla Prima tradition. I enjoyed setting up still-lifes of flowers, painting live models (and one landscape) and then pushing past what was in front of me to emphasize the colors, designs and patterns which appealed to me. I feel like these are my best works yet because I had so much fun creating them. This show of affordable art by over 500 artists benefits the Oregon Food Bank, so bring a can of food. (Also, next-door, the new OneDer Gallery features art of all sizes for $100-and-under.) Get there early:

Peoples Art of Portland and OneDer Galleries
Pioneer Place, 700 SW 5th, 3rd floor
Portland, Oregon
December 12, 2-9 p.m.

http://www.peoplesartofportland.com

Monday, November 9, 2015

Plein Air Season Wrap

I guess it's been a while ...

Lots happening but here's one of the recent highlights. I participated in the Plein Air Washington County event and won Third Place, overall. With over one hundred great paintings to choose from, I was quite honored (floored actually) that my painting was chosen. I'll post close ups of the completed paintings, soon. Thank you to the organizers at Sequoia Gallery and Juror, Za Vue.

Quin Sweetman with her paintings at Plein Air Washington County

Quin Sweetman paints the model at the Quick Draw event at Plein Air Washington County

Thursday, November 6, 2014

Show Extended: Two Woman Show at Broderick Gallery


It's been quite a year! Here are a few of the nearly 50 paintings in our show this month at Broderick Gallery. Celeste Bergin and I have a two-woman show. I admire her work greatly. This will be fun and a wonderful opportunity to pick-up an original piece of art at a reasonable price.

Red Scarf, 18x14", Oil on Panel, Quin Sweetman

Emerging, Oil on Panel, 20x16, Quin Sweetman

Quiet Contrapposto, Oil on Canvas, 24x20, Quin Sweetman

Afternoon in Cathedral Park, Oil on Panel, 20x20, Quin Sweetman

Revolutionary, Oil on Panel, 20x16, Quin Sweetman

Morning Muse (North Umpqua River), Oil on Panel, 14x11, Quin Sweetman

Lambent, Oil on Panel, 14x11, Quin Sweetman

Coastal Mist, Oil on Panel, 11x14, Quin Sweetman

Beachy Girl, Oil on Panel,  14x11, Quin Sweetman

Beachy Day (Oregon Coast, Ona), Oil on Panel, 11x14, Quin Sweetman

Bowing, Oil on Panel, 14x11, Quin Sweetman

FOR IMMEDIATE RELEASE                                                                  

CONTACT:  George Broderick, 1318 Commerce Avenue, Longview, WA 98632

ART EXHIBIT NAME:  A Year in Paint (Sweetman and Bergin two woman show)

EXHIBIT DESCRIPTION:

Broderick Gallery announces that Quin Sweetman and Celeste Bergin will have a two-woman show entitled “A Year in Paint” opening at the Broderick Gallery on November 6, 2014.
Both Sweetman and Bergin are Pacific Northwest artists who work mostly from life and direct observation. “A Year in Paint” represents key paintings completed during the past twelve months.  Many of the selected paintings were completed “en plein air” (outdoors, in the manner of the French Impressionists, often in one sitting). Interiors, figures, still life and some studio work will also be included in “A Year in Paint”.
Sweetman and Bergin are acclaimed artists with a breadth of experiences and tributes between them. Quin Sweetman is a noted oil painter whose work has been shown in numerous exhibitions including CW Lofts Minneapolis, Walters Cultural Art Center and the People’s Art Gallery among others. Celeste Bergin’s recent professional achievements include Curator for the Pacific NW Plein Air Competition 2014 and invited artist in Portland Art Museum's Paris in the Park event. She has won many awards and shown work in over 100 exhibitions including the Columbia Art Gallery, the Pittock Mansion, Portland City Hall and numerous galleries.

RECEPTIONS:
          First Thursday, December 4, 5-8 p.m.
           November 6, 6-8pmFirst Thursday, November 6, 6-8pm
           Artist’s Reception, Sunday, November 9, 1-6pm

The public is invited.

OVERALL ART EXHIBIT DATES:  November 6-December 31, 2014

LOCATION:  Broderick Gallery 1318 Commerce Avenue, Longview WA, 98632

Gallery hours: Tues. thru Sat. from 10am to 5pm and by appointment.
###

About Broderick Gallery:
The Broderick Gallery is geared toward an interdisciplinary interpretation of art and committed to a culturally inclusive viewpoint. Exhibitions focus on international, national and regional art developments chiefly in the 20th century and seek to present the cultural and historical context of art. Hours are Tues. thru Sat. from 10 to 5 and by appointment. For more about the gallery and its artists, please see http://broderickgallery.blogspot.com/ or www.broderickgallery.com or call George Broderick, 503-703-5188



Friday, October 10, 2014

A tender time


"There's a Bird in My Heart" Acrylic on Panel, 8x8", Quin Sweetman

"I am white with knuckles and my future eyes are squinting and sand-crusted. I kiss you to make you stop talking" Oil on Canvas/Panel, 8x8", Quin Sweetman

These are paintings I completed during a rough time; my mother and my cat were both ill. The strange titles came from a group show I am in, in which painters were paired with writers. "Entitled" is the name of the show and we each randomly selected titles to paint about or paintings to write about, respectively.

The painting of my cat now serves as a eulogy as she just passed away. Her sweet, gentle spirit and skittish, bird-like ways inspired me to paint her for the title. The painting of my husband Andy, though a portrait of him, is also a a self-portrait of sorts. I found the title I had drawn from a hat to be silly at first but came to relate to it in this tender stage in life I am in currently.  On a lighter note, Andy wrote this tongue-in-cheek eulogy for our cat:


Kirby Puckett was born in the summer of 2001 near Lake Merwin Washington in the Mount Hood Forest.   She was destined to be a working animal for a band of Forest Gnomes who ride cats like humans ride horses. These weren’t your normal run of the mill forest gnomes who cause a bit of mischief like hiding your keys.  These gnomes are a truly nasty and evil race.   They find folks sleeping after a night of partying and poop in their mouth and give a whack to the head for good measure resulting in what most people think is a hangover. 
One such morning when Quin and I awoke in a forest cabin, the gnomes had succeeded in causing a hangover but had left behind their small steed, who was now sleeping at the foot of our bed.  We figured that Kirby had escaped their nasty little clutches and wanted to be a normal cat like she had heard of in the legends of old.  This is where we started to share in the adventure of Kirby Puckett, the female cat.  
Quin and I already had a cat named Keegan (RIP) and some of you may have read his life story some time ago.  We felt that Keegan and Kirby would be best friends.  We didn’t know at the time, but Kirby spoke a language and observed customs that were not aligned with any other living cat.  This might have had something to do with those shitty little gnomes.  It took the passing of Keegan and the adoption of Fuzz, AKA Joe Meower, AKA Johan Santana, AKA Black Kitty, etc. to understand this was a reality.  
Soon after, we moved to the St. Johns neighborhood of North Portland and Kirby and Fuzz ruled the neighborhood for a couple of years.  Fuzz was the muscle and Kirby was the brains behind the operation. They sold catnip on the corner to make a few bucks and  bribed animal control to leave them alone.  All of that ended when a group of bootlegger cats by the last name Togo moved in next door. The Togo clan ruled with impunity, terrorized humanity and a claw to the eye and hole in the foot ended the outdoor rein of Kirby and Fuzz.  The message was loud and clear, the only safe place was indoors.  
During these past few years of indoor life, Kirby would pass the time following Quin everywhere through the house.  Kirby would give advice and tips on painting.  Wonder why Quin wasn’t on the same sleep schedule as her.  She would think “why doesn’t Quin use the litter box too" and wonder why our food was always eaten in front of the magic box where noise and light came from.  Whenever Quin would ask Kirby what she should paint next, the answer was always: Birds, Birds, Birds.  By this time Quin had become semi fluent in Kirby’s language and was always trying to teach it to me.  Kirby had a love hate relationship with petting, me, Fuzz, litter boxes, and the device she called the VACUME.  She was amazed that it could scream and eat at the same time yet terrified at how it moved and in our house, only came out before other people came over. 
After a brief sickness, Kirby is now hanging out with Keegan somewhere in heaven.   
I read somewhere that cats look at humans as bigger cats who feed them.  Kirby leaves behind two big cats and her brother fuzz. 

Monday, August 4, 2014

Twelve Days, 21 Paintings!

My time at the coast was productive. The annual Sandgren Coastal Paintout happens for two weeks every July in the Newport, Oregon region and includes many beautiful state parks and scenic areas.

My 21 works, range in size from 36" wide to only 3". Some were quick "sketches": others more finished. I look forward to finishing and showing this body of paintings.

Seal Rock, 18x24"
Ona Beach, 16x20, oil sketch of family with kites
The beautiful, ever-changing scene I was painting at Ona. So fun to watch a family at play!

Rocky Creek, 11x14, Erik Sandgren paints in foreground, Carol Marine in distance with umbrella

My morning mist painting at Seal Rocks. (It was socked-in by fog)

Our afternoon critique with maestro Erik Sandgren

Photo of Seal Rock, one of my favorite places for scale and variety

My very large canvas at Rocky Creek Scenic Wayside

The Illustrious Erik Sandgren painting at Rocky Creek Scenic Wayside
Trees at Yaquina Bay (each 11x14)
Yachts Evening Light 2" x 2"
Yachats 20x16 (mostly done-except upper left)
Another view of all back on my studio floor

Wednesday, May 14, 2014

I Love Painting Bridges!

What a day! I am blessed to live in such a beautiful neighborhood and have a group of painters who like to get out and paint "plein air" (Frenchy term for painting outside, like the Impressionists).


Bridge Rhythms (work-in-progress), Oil on Canvas, 20" x 20", Quin Sweetman

Painter buddy from the neighborhood, Jodi Burton

End of the day, light dying, packing up
This is a larger painting for plein air but I'm going to paint larger more often as it is more freeing for gestural brushwork and compositions. Go big or go home!

Tuesday, April 29, 2014

I Did a Big, Scary Thing

I applied to be represented in an important regional institution. It took me all day to get all the photos, bio, CV, etc., together in a professional manner and I made myself sick to my stomach for a bit. Must mean it matters a lot to me. Now it is done and I'm ready to enter the next big thing with less fear; I hope.

In celebration of this feat, I give you "Dahlias in Mexican Vase." 

Wednesday, April 9, 2014

Spring!

"Waiting for Her Moment" 14"x14", Oil on Canvas, Quin Sweetman

Lovely weather is upon us and I am happy to report, I am working on a couple of commissions for new customers. Have you considered having something special painted for yourself or a loved one?

A recent portrait now showing at Broderick Gallery in Longview, Washington
Broderick offers lovely custom framing

Monday, March 17, 2014

Works in Progress

Happy St. Patrick's Day! I've been remiss in posting on this blog lately but I assure you, I have been making art ... or attempting to do so. In winter, I tend to focus on painting still-lifes and figures from life model sessions. I hope to capture my subject's unique essence in a short period of time and the models often move but I try to stick to what struck me in the original pose. For those interested, here are a few works in progress which are nearly complete.

In my studio ...sunflowers 24x18", dahlias 14"x11"

Men can be beautiful too! Loved the graceful way our model posed
 (finishing right side of canvas/patches on figure)
24x18"

                                                      "Elizabeth in Repose" charcoal drawing, 17x14"

...Oh yeah, I was in the newspaper yesterday. Here's a link to fun portrait I did quite a while ago:
Duluth News Tribune Life Section.  I love to paint portraits of people and animals ... and it pays for more paint supplies/painting trips, so let me know if you'd like me to paint one for you.

Top of the afternoon to ya!

Quin